Inspired by Activists and Frontline Workers, Changemakers Streams on YouTube
Now streaming online, Changemakers, a collection of 20 original, two-minute plays and musicals inspired by community leaders, activists, and front-line workers who have fought for change over the course of the past year. Changemakers explores our nation’s most critical current events, told through a series of comic and dramatic vignettes created specifically for this moment. This collaborative work, written by commissioned playwrights working alongside students from University of Kansas, premiered this spring before a limited, in-person audience, and is now streaming, for free, on YouTube.
Changemakers was cowritten by members of the student cast in collaboration with 20 professional playwrights commissioned for this production. Commissioned playwrights include KU alumni, Tony-nominated librettist and lyricist Bill Russell (Side Show; Pageant; Elegies For Angels, Punks and Raging Queens) and Award winning and internationally produced playwright James Still (The Heavens Are Hung in Black, The Secret History of the Future); and Broadway actor and award-winning playwright Rodney Hicks (featured in Broadway’s Come From Away, Rent, The Scottsboro Boys). This production is directed by University of Kansas’ Markus Potter (off-Broadway’s Stalking the Bogeyman, Church & State) and Darci Jens Fulcher (Goat in the Road Productions, New Orleans), with musical direction and live accompaniment by Ryan McCall (The Ballad of Lefty and Crabbe, Chicago Musical Theater Festival).
Faced with a season shut down by pandemic, the university’s Department of Theatre & Dance considered how the moment could be a creative opportunity for students. 20 professional playwrights and composers were commissioned to collaborate with students to create a series of 20 original two-minute plays, with each play focusing on a primary character supported by an ensemble, and staged before a limited, live audience.
“Students started the process for Changemakers by creating documentary monologues from found pieces of text - social media, news interviews, articles, books - from social activists, local community leaders, front-line workers, politicians, or any inspiring individual who has fought for change,” say Changemakers directors Markus Potter and Darci Jens Fulcher.“ Each student was paired with a professional playwright or composer who created a two-minute response piece, using the instincts and ideas of their student collaborator. Our goal as an ensemble was to create work that would examine the tragic, humorous, poignant, inspiring stories about isolation, human connection, and our quest for change; to brainstorm, reinvent, and imagine what is possible in the days and years ahead.”
"Having the opportunity to work with a young artist for Changemakers, was an absolute joy,” says Rodney Hicks, Broadway actor and commissioned Changemakers playwright. “It all started with an initial conversation where KU senior Gabrielle Smith shared her research. She displayed such an openness to the work created. Then to watch her and the entire KU ensemble soar when performing the work was profoundly moving. It was an honor to contribute in this way for the future of live theater and to support our next generation of artists in our world today.”
The commissioned playwrights are Paris Crayton III, Sherri Eldin, Rodney Hicks, Stephen Kaplan, Aimé Donna Kelly, Leonard Madrid, Ryan McCall, David Don Miller, Lewis J. Morrow, Lori Elizabeth Parquet, Bill Russell, Tammy Ryan, Andrew Saito, SEVAN, Nandita Shenoy, Vera Starbard, James Still, chandra thomas, Sheri Wilner, and Michael Wysong.
The student cast, all of whom either collaborated with or inspired the original works, includes Kennedy Brandenburg, Tehreem Chaudhry, Haley Cogbill, Jeremiah G. Coleman, Ella Galbraith, Stella Rose Garibaldi, Cole Gomez- Maldonado, Petricia Hall, India MacDonald, Aubrey McGettrick, Elijah Olson, Katherine Patz, Chris Pendry, Diego Rivera-Rodriguez, Chloé Ryan, Gabrielle Smith, Lauren K. Smith, Mary Spencer, Kara Stobie, Kalen Stockton, and Asher Suski.
Changemakers’ features a design team of University of Kansas students: scenic design by John Dylan Rohr; lighting design by Trevor Rodgers, and costume design by Nik Schrag.
MARKUS POTTER (co-Director) is the founding Artistic Director of NewYorkRep Theatre and served as Interim Artistic Director of Theatre Aspen. He’s the Associate Director for Blindness, currently running in NYC at the Daryl Roth Theatre, based on the novel by José Saramago, and adapted by Simon Stephens. Other off-Broadway productions include Stalking the Bogeyman at New World Stages (Outer Critics Circle Award nomination, New York Times Critic’s Pick), London’s Southwark Playhouse (Off West End Award nomination for best production and direction), Church & State at New World Stages (off-Broadway Alliance nomination, best new play), Red Speedo at Center Rep (Bay Area Critics recommended, Shellie Award nomination for best direction), Lost Boy Found in Whole Foods at The Portland Stage Company, and Why You Beasting (Time Out NY critic’s pick). As an actor, credits include several seasons at The Guthrie Theatre, Long Wharf, Berkeley Rep, American Conservatory Theatre, Denver Center, and Tour of Death of a Salesman with Christopher Lloyd. As a producer, The Velocity of Autumn on Broadway (Estelle Parsons’ Tony Award nomination).
DARCI JENS FULCHER (co-Director) is an actor, deviser, movement coach, director and professor. She is an ongoing company member with Goat in the Road productions in New Orleans. She teaches at KU as a Visiting Assistant Professor introducing students to devising, movement & physical theatre. As a creator, she’s interested in storytelling with minimal dialogue, the subtle hidden stories within the body. Her original theatre and films have an emphasis on character movement within stylized worlds that feel absurd, surreal, and mischievous. Before earning her MFA in Ensemble-Based Physical Theatre from Dell'Arte International School of Physical Theatre, ‘14, Fulcher spent 2007-2011 working for Epic Theatre Ensemble, where she taught, performed, and produced theatre off-Broadway.